Welcome to Tīna Fišere-Blumberga Musical Journey – Explore my world as a passionate bassoon player, showcasing my education, concerts, and upcoming events!

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  • Concert in Ventspils St. Nicholas Evangelical Lutheran Church

    On 13th December 2025 I performed in an engaging concert for woodwinds, brass, and percussions held in Ventspils St. Nicholas Evangelical Lutheran Church. The program lasted about an hour and a half, featuring vibrant pieces that highlighted the rich timbres of our instruments. On my bassoon, I played Gabriel Grovlez’s “Sicilienne et Allegro Giocoso,” its

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  • Concert “Lai Tālu Skan 2025”

    Here are a few highlights from an amazing concert on 20th November 2025 in concert hall Latvija (Ventspils) in which I took part in along with my schools orchestra. These highlights are from William G. Harbinson “Better Angels”, Carl Strommer “Atlas Rising”, James Meredith “Branding Iron!” and “A Disneyland Celebration” arr. Michael Brown. Huge thanks

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  • Concert in Ventspils Library – Pavasara Skaņās

    On March 23rd 2025, I performed at a memorable concert with my bassoon, joined by two talented flutists – Jana Ancāne and Una Elizabete Roba – for a trio and then a solo spotlight. Our trio brought vibrant energy to Georges Bizet’s “Aragonaise” from “Carmen Suite”, its lively rhythms and interplay captivating the audience. For

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  • Conducting experience at “Skaņu un krāsu vīzijas” concert

    Concert on 14th of June 2025. Learning to conduct an orchestra was a thrilling journey that pushed my musical understanding and leadership skills to new heights. It began with studying the nuances of score reading, mastering baton techniques, and learning to communicate effectively with musicians through precise gestures. Hours of practice, and countless rehearsals honed

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  • International masterclass in Sigulda

    From July 16th to 25th in 2025, I attended an exhilarating music masterclass in Sigulda, where I immersed myself in learning, performing, and connecting. I sharpened my skills with new techniques under the guidance of a master bassoonist Normunds Zvejnieks. A highlight was performing in ensembles, including John Cage’s experimental “Five,” which challenged my sense

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